Introduction
Ifeona Fulani
Part 1 From the Postcolonial to the Transnational
The Blackness of Sugar: Celia Cruz and the Performance of (Trans)nationalism
Frances R. Aparicio
Louise Bennett in Performance: Pedagogies of Nation and Gender
Donna Aza Weir-Soley
Between La Habana and Veracruz: Toña la Negra and the Transnational Circuits of Música Tropical
B. Christine Arce
Part 2 Performing/Contesting Identities
Guadaloupean Women Performing Gwo Ka: Island Presences and Transnational Connections
Kathe Managan
Celia’s Shoes
Frances Negrón-Muntaner
Calypso Rose’s Phallic “Palet” and the Sweet Treat of Erotic Aurality
Lyndon K. Gill
“Born in Chanel, Christen in Gucci”: The Rhetoric of Brand Names and Haute Couture in Jamaican Dancehall
Andrea Elizabeth Shaw
The Rhetoric of Hips: Shakira’s Embodiment and the Quest for Caribbean Identity
Nadia Celis
Part 3 at the Diasporic Crossroads
The Black Diaspora North of the Border: Women, Music and Caribbean Culture in Canada
Lisa Tomlinson
Who Is Grace Jones?
Ifeona Fulani
“LADIES A YOUR TIME NOW!”: Erotic Politics, Lovers’ Rock and Resistance in the UK
Lisa Amanda Palmer
From Third Wave to Third World: Lauryn Hill, Educated and Unplugged
Cheryl Sterling
Whose Rihanna?: Diasporic Citizenship and the Economies of Crossing Over
Heather D. Russell
I and Ireland: Reggae and Rastafari in the Work of Sinéad O’Connor
Adam John Waterman
Contributors
Acknowledgements